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Médias (91)
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DJ Z-trip - Victory Lap : The Obama Mix Pt. 2
15 septembre 2011
Mis à jour : Avril 2013
Langue : English
Type : Audio
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Matmos - Action at a Distance
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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DJ Dolores - Oslodum 2004 (includes (cc) sample of “Oslodum” by Gilberto Gil)
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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Danger Mouse & Jemini - What U Sittin’ On ? (starring Cee Lo and Tha Alkaholiks)
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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Cornelius - Wataridori 2
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
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The Rapture - Sister Saviour (Blackstrobe Remix)
15 septembre 2011, par
Mis à jour : Septembre 2011
Langue : English
Type : Audio
Autres articles (78)
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Le profil des utilisateurs
12 avril 2011, parChaque utilisateur dispose d’une page de profil lui permettant de modifier ses informations personnelle. Dans le menu de haut de page par défaut, un élément de menu est automatiquement créé à l’initialisation de MediaSPIP, visible uniquement si le visiteur est identifié sur le site.
L’utilisateur a accès à la modification de profil depuis sa page auteur, un lien dans la navigation "Modifier votre profil" est (...) -
Configurer la prise en compte des langues
15 novembre 2010, parAccéder à la configuration et ajouter des langues prises en compte
Afin de configurer la prise en compte de nouvelles langues, il est nécessaire de se rendre dans la partie "Administrer" du site.
De là, dans le menu de navigation, vous pouvez accéder à une partie "Gestion des langues" permettant d’activer la prise en compte de nouvelles langues.
Chaque nouvelle langue ajoutée reste désactivable tant qu’aucun objet n’est créé dans cette langue. Dans ce cas, elle devient grisée dans la configuration et (...) -
XMP PHP
13 mai 2011, parDixit Wikipedia, XMP signifie :
Extensible Metadata Platform ou XMP est un format de métadonnées basé sur XML utilisé dans les applications PDF, de photographie et de graphisme. Il a été lancé par Adobe Systems en avril 2001 en étant intégré à la version 5.0 d’Adobe Acrobat.
Étant basé sur XML, il gère un ensemble de tags dynamiques pour l’utilisation dans le cadre du Web sémantique.
XMP permet d’enregistrer sous forme d’un document XML des informations relatives à un fichier : titre, auteur, historique (...)
Sur d’autres sites (8063)
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encoding jpeg as h264 video
22 février 2017, par jefftimestenI am using the following command to encode an AVI to an H264 video for use in an HTML5 video tag :
ffmpeg -y -i "test.avi" -vcodec libx264 -vpre slow -vpre baseline -g 30 "out.mp4"
And this works just fine. But I also want to create a placeholder video (long story) from a single still image, so I do this :
ffmpeg -y -i "test.jpg" -vcodec libx264 -vpre slow -vpre baseline -g 30 "out.mp4"
And this doesn’t work. What gives ?
EDIT : After trying LordNeckbeards answer, here is my full output : http://pastebin.com/axhKpkLx
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Wo can tell me the difference and relation between ffmpeg 、libav and avconv
28 février 2012, par whywhen I run ffmpeg on ubuntu, it shows :
ffmpeg
ffmpeg version v0.8, Copyright (c) 2000-2011 the Libav developers
built on Feb 28 2012 13:27:36 with gcc 4.6.1
This program is not developed anymore and is only provided for compatibility. Use avconv instead (see Changelog for the list of incompatible changes).
Hyper fast Audio and Video encoder
usage: ffmpeg [options] [[infile options] -i infile]... {[outfile options] outfile}...
Use -h to get full help or, even better, run 'man ffmpeg'I found avconv on http://libav.org, I am just perplexed by them
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Announcing the World’s Worst VP8 Encoder
5 octobre 2010, par Multimedia Mike — Outlandish Brainstorms, VP8I wanted to see if I could write an extremely basic VP8 encoder. It turned out to be one of the hardest endeavors I have ever attempted (and arguably one of the least successful).
Results
I started with the Big Buck Bunny title image :
And this is the best encoding that this experiment could yield :
Squint hard enough and you can totally make out the logo. Pretty silly effort, I know. It should also be noted that the resultant .webm file holding that single 400×225 image was 191324 bytes. When FFmpeg decoded it to a PNG, it was only 187200 bytes.
The Story
Remember my post about a naive SVQ1 encoder ? Long story short, I set out to do the same thing with VP8. (I wanted to the same thing with VP3/Theora for years. But take a good look at what it would entail to create even the most basic bitstream. As involved as VP8 may be, its bitstream is absolutely trivial compared to VP3/Theora.)
With the naive SVQ1 encoder, the goal was to create a minimally compliant SVQ1 encoded bitstream. For this exercise, I similarly hypothesized what it would take to create the most basic, syntactically correct VP8 bitstream with the least amount of effort. These are the overall steps I came up with :
- Intra-only
- Create a basic bitstream header that disables any extra features (no modification of default tables)
- Use a static quantizer
- Use intra 16×16 coding for each macroblock
- Use vertical prediction for the 16×16 intra coding
For coding each macroblock :
- Subtract vertical predictor from each row
- Perform forward transform on each 4×4 sub block
- Perform forward WHT on luma plane DCT coefficients
- Pack the coefficients into the bitstream via the Boolean encoder
It all sounds so simple. But, like I said in the SVQ1 post, it’s all very much like carefully bootstrapping a program to run on a particular CPU, and the VP8 decoder serves as the CPU. I’m confident that I have the bitstream encoding correct because, at the very least, the decoder agrees precisely with the encoder about the numbers represented by those 0s and 1s.
What’s Wrong ?
Compromises were made for the sake of getting some vaguely recognizable image encoded in a minimally valid manner. One big stumbling block is that I couldn’t seem to encode an end of block (EOB) condition correctly. I then realized that it’s perfectly valid to just encode a lot of zero coefficients rather than signaling EOB. An encoding travesty, I know, and likely one reason that the resulting filesize is so huge.More drama occurred when I hit my first block that had all zeros. There were complications in that situation that I couldn’t seem to avoid. So I forced the first AC coefficient to be 1 in that case. Hey, the decoder liked it.
As for the generally weird look of the decoded image, I’m thinking that could either be : A) an artifact of forcing 16×16 vertical prediction or ; or B) a mistake in the way that I transformed and predicted stuff before sending it to the decoder. The smart money is on a combination of both A and B.
Then again, as the SVQ1 experiment demonstrated, I shouldn’t expect extraordinary visual quality when setting the bar this low (i.e., just getting some bag of bits that doesn’t make the decoder barf).