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• Ode to the Gravis Ultrasound

  1er août 2011, par Multimedia Mike — General

  WARNING : This post is a bunch of nostalgia. Feel free to follow along if you recall the DOS days of the early-mid 1990s.

  I finally let go of my Gravis Ultrasound MAX sound card a little while ago. It felt like the end of an era for me, even though I had scarcely used the card in recent memory.

  
  
  

  The Beginning
  What is the Gravis Ultrasound ? Only the finest PC sound card from the classic DOS days. Back in the day (very early 1990s), most consumer PC sound cards were Yamaha OPL FM synthesizers paired with a basic digital to analog converter (DAC). Gravis, a company known for game controllers, dared to break with the dominant paradigm of Sound Blaster clones and create a sound card that had 32 digital channels.
  
  I heard about the GUS sometime in 1992 through one of the dominant online services at the time, Prodigy. Through the message boards, I learned of a promotion with Electronic Arts in which customers could pre-order a GUS at a certain discount along with 2 EA games from a selected catalog (with progressive discounts when ordering more games from the list). I know I got the DOS version of PowerMonger ; I think the other was Night Shift, though that doesn’t seem to be an EA title.

  Anyway, 1992 saw many maddening delays of the GUS hardware. Finally, reports of GUS shipments began to trickle into the Prodigy message forums. Then one day in November, 1992, mine arrived. Into the 286 machine it went and a valiant attempt at software installation was made. A friend and I fought with the software late into the evening, trying to make this thing work reasonably. I remember grabbing a pair of old headphones sitting near the computer that were used for an ancient (even for the time) portable radio. That was the only means of sound reproduction we had available at that moment. And it still sounded incredible.

  After graduating to progressively superior headphones, I would later return to that original pair only to feel my ears were being physically assaulted. Strange, they sounded fine that first night I was trying to make the GUS work. I guess this was my first understanding that the degree to which one is a snobby audiophile is all a matter of hard-earned experience.

  Technology
  The GUS was powered by something called a GF1 which was supposed to use a technology called wavetable synthesis. In the early days, I thought (and I wasn’t alone in this) that this meant that the GF1 chip had a bunch of digitized instrument samples stored in the ASIC. That wasn’t it.

  However, it did feature 32 digital channels at a time when most PC audio cards had 2 (plus that Yamaha FM synthesizer). There was some hemming and hawing about how the original GUS couldn’t drive all 32 channels at a full 44.1 kHz ("CD quality") playback rate. It’s true— if 14 channels were enabled, all could be played at 44.1 kHz. Enabling more channels started progressive degradation and with all 32 channels, each was only playing at around 19 kHz. Still, from my emerging game programmer perspective, that allowed for 8-channel tracker music and 6 channels of sound effects, all at the vaunted CD level of quality.

  Games and Compatibility
  The primary reason to have a discrete sound card was for entertainment applications — ahem, games. GUS support was pretty sketchy out of the gate (ostensibly a major reason for the card’s delay). While many sound cards offered Sound Blaster emulation by basically having the same hardware as Sound Blaster cards, the GUS took a software route towards emulating the SB. To do this required a program called the Sound Blaster Operating System, or SBOS.

  Oh, how awesome it was to hear the program exclaim "SBOS installed !" And how harshly it grated on your nerves after the 200th time hearing it due to so many reboots and fiddling with options to make your games work. Also, I’ve always wondered if there’s something special about sampling an ’s’ sound — does it strain the sampling frequency range ? Perhaps the phrase was sampled at too low a bitrate because the ’s’ sounds didn’t come through very clearly, which is something you notice after hundreds of iterations when there are 3 ’s’ sounds in the phrase.

  Fortunately, SBOS became less relevant with the advent of Mega-Em, a separate emulator which intercepted calls to Roland MIDI systems and routed them to the very capable GUS. Roland-supporting games sounded beautiful.

  Eventually, more and more DOS games were released with native Gravis support, sometimes with the help of The Miles Sound System (from our friends at Rad Game Tools — you know, the people behind Smacker and Bink). The library changelog is quite the trip down PC memory lane.

  An important area where the GUS shined brightly was that of demos and music trackers. The emerging PC demo scene embraced the powerful GUS (aided, no doubt, by Gravis’ sponsorship of the community) and the coolest computer art and music of the time natively supported the card.

  Programming
  At this point in my life, I was a budding programmer in high school and was fairly intent on programming video games. So far, I had figured out how to make a few blips using a borrowed Sound Blaster card. I went to great lengths to learn how to program the Gravis Ultrasound.

  Oh you kids today, with your easy access to information at the tips of your fingers thanks to Google and the broader internet. I had to track down whatever information I could find through a combination of Prodigy message boards and local dialup BBSes and FidoNet message bases. Gravis was initially tight-lipped about programming information for its powerful card, as was de rigueur of hardware companies (something that largely persists to this day). But Gravis eventually saw an opportunity to one-up encumbent Creative Labs and released a full SDK for the Ultrasound. I wanted the SDK badly.

  So it was early-mid 1993. Gravis released an SDK. I heard that it was available on their support BBS. Their BBS with a long distance phone number. If memory serves, the SDK was only in the neighborhood of 1.5 Mbytes. That takes a long time to transfer via a 2400 baud modem at a time when long distance phone charges were still a thing and not insubstantial.

  Luckily, they also put the SDK on something called an ’FTP site’. Fortunately, about this time, I had the opportunity to get some internet access via the local university.

  Indeed, my entire motivation for initially wanting to get on the internet was to obtain special programming information. Is that nerdy enough for you ?

  I see that the GUS SDK is still available via the Gravis FTP site. The file GUSDK222.ZIP is dated 1998 and is less than a megabyte.

  Next Generation : CD Support
  So I had my original GUS by the end of 1992. That was just the first iteration of the Gravis Ultrasound. The next generation was the GUS MAX. When I was ready to get into the CD-ROM era, this was what I wanted in my computer. This is because the GUS MAX had CD-ROM support. This is odd to think about now when all optical drives have SATA interfaces and (P)ATA interfaces before that— what did CD-ROM compatibility mean back then ? I wasn’t quite sure. But in early 1995, I headed over to Computer City (R.I.P.) and bought a new GUS MAX and Sony double-speed CD-ROM drive to install in the family’s PC.

  
  
  

  About the "CD-ROM compatibility" : It seems that there were numerous competing interfaces in the early days of CD-ROM technology. The GUS MAX simply integrated 3 different CD-ROM controllers onto the audio card. This was superfluous to me since the Sony drive came with an appropriate controller card anyway, though I didn’t figure out that the extra controller card was unnecessary until after I installed it. No matter ; computers of the day were rife with expansion ports.

  
  
  The 3 different CD-ROM controllers on the GUS MAX
  

  Explaining The Difference
  It was difficult to explain the difference in quality to those who didn’t really care. Sometime during 1995, I picked up a quasi-promotional CD-ROM called "The Gravis Ultrasound Experience" from Babbage’s computer store (remember when that was a thing ?). As most PC software had been distributed on floppy discs up until this point, this CD-ROM was an embarrassment of riches. Tons of game demos, scene demos, tracker music, and all the latest GUS drivers and support software.

  Further, the CD-ROM had a number of red book CD audio tracks that illustrated the difference between Sound Blaster cards and the GUS. I remember loaning this to a tech-savvy coworker who disbelieved how awesome the GUS was. The coworker took it home, listened to it, and wholly agreed that the GUS audio sounded better than the SB audio in the comparison — and was thoroughly confused because she was hearing this audio emanating from her Sound Blaster. It was the difference between real-time and pre-rendered audio, I suppose, but I failed to convey that message. I imagine the same issue comes up even today regarding real-time video rendering vs., e.g., a pre-rendered HD cinematic posted on YouTube.

  Regrettably, I can’t find that CD-ROM anymore which leads me to believe that the coworker never gave it back. Too bad, because it was quite the treasure trove.

  Aftermath
  According to folklore I’ve heard, Gravis couldn’t keep up as the world changed to Windows and failed to deliver decent drivers. Indeed, I remember trying to keep my GUS in service under Windows 95 well into 1998 but eventually relented and installed some kind of more appropriate sound card that was better supported under Windows.

  Of course, audio output capability has been standard issue for any PC for at least 10 years and many people aren’t even aware that discrete sound cards still exist. Real-time audio rendering has become less essential as full musical tracks can be composed and compressed into PCM format and delivered with the near limitless space afforded by optical storage.

  A few years ago, it was easy to pick up old GUS cards on eBay for cheap. As of this writing, there are only a few and they’re pricy (but perhaps not selling). Maybe I was just viewing during the trough of no value a few years ago.

  Nowadays, of course, anyone interested in studying the old GUS or getting a nostalgia fix need only boot up the always-excellent DOSBox emulator which provides remarkable GUS emulation support.

• Easy Tricks for Finding WebM Videos in YouTube

  9 août 2010, par noreply@blogger.com (John Luther)

  Since the WebM project launch, YouTube has been encoding videos uploaded at 720p or higher resolution in the WebM format. Today, the one million most popular videos of any size on YouTube are also available in the WebM format.

  We have instructions on our project site for finding these videos but they require adding a special parameter onto the end of each search query. All of the browsers that support WebM can create search shortcuts with custom parameters, however, so we’ve compiled instructions for making it very simple to search for WebM videos in YouTube.

  Important : First, make sure you have a supported browser and are enrolled in the YouTube HTML5 beta by going to http://youtube.com/html5 and clicking Enter the HTML5 Beta.

  Creating a WebM Search Shortcut

  Firefox 4 Beta :
  

  1. Select Bookmarks > Organize Bookmarks. A bookmark manager dialog opens.
  2. In the left column, choose a location for the new bookmark you’re creating. Next, choose Organize > New Bookmark (on MacOS click the gear icon). The new bookmark dialog opens.
  3. In the Name box, type WebM.
  4. In the Location box, type http://youtube.com/results?search_query=%s&webm=1.
  5. In the Keyword box, type webm.
  6. Click Add.

  Google Chrome Early Release Channel :
  

  1. On Windows and Linux, click the Chrome wrench icon in the toolbar and select Options. On MacOS, select Chrome > Preferences.
  2. On the Basics tab, click the Manage button in the Default Search section.
  3. On Windows and Linux, click Add. On MacOS X, click the plus (+) button.
  4. In the Name box, type WebM.
  5. In the Keyword box, type webm.
  6. In the URL box, type http://youtube.com/results?search_query=%s&webm=1.
  7. Click OK.

  Opera 10.60 and later :
  

  1. Go to http://youtube.com.
  2. Right-click in the YouTube search box at the top of the page and select Create Search. On MacOS, use Ctrl+click if you don’t a secondary mouse button enabled.
  3. In the Name box, type WebM.
  4. In the Keyword box, type webm.
  5. In the Address box, type http://youtube.com/results?search_query=%s&webm=1.
  6. Click OK.

  
  

  
  Now you’re ready to search. In the location box of the browser, type webm monster trucks. The YouTube search results page will open with a selection of monster truck videos encoded in the WebM format. When watching a video, look for the HTML5 WebM indicator in the player control bar.

  If you can’t find WebM videos it is most likely a browser cookie problem. Your enrollment in the YouTube HTML5 beta test is stored in a browser cookie (not in your YouTube or Google account), and that cookie can expire. Visit http://youtube.com/html5 and opt-in again to re-set the cookie.

  Directly Accessing WebM Videos by URL

  To find out if any YouTube video is available in WebM, simply add &html5=True (make sure True is capitalized) to the end of the video URL. If there is a WebM version of the video, it will open instead of the Flash version. For example :
  

  • Flash version : http://www.youtube.com/watch?v=Dz6gFokvOr0
  • WebM version : http://www.youtube.com/watch?v=Dz6gFokvOr0&html5=True

  

• ARM inline asm secrets

  6 juillet 2010, par Mans — ARM, Compilers

  Although I generally recommend against using GCC inline assembly, preferring instead pure assembly code in separate files, there are occasions where inline is the appropriate solution. Should one, at a time like this, turn to the GCC documentation for guidance, one must be prepared for a degree of disappointment. As it happens, much of the inline asm syntax is left entirely undocumented. This article attempts to fill in some of the blanks for the ARM target.
  

  Constraints

  Each operand of an inline asm block is described by a constraint string encoding the valid representations of the operand in the generated assembly. For example the “r” code denotes a general-purpose register. In addition to the standard constraints, ARM allows a number of special codes, only some of which are documented. The full list, including a brief description, is available in the constraints.md file in the GCC source tree. The following table is an extract from this file consisting of the codes which are meaningful in an inline asm block (a few are only useful in the machine description itself).

  f	Legacy FPA registers f0-f7.
  t	The VFP registers s0-s31.
  v	The Cirrus Maverick co-processor registers.
  w	The VFP registers d0-d15, or d0-d31 for VFPv3.
  x	The VFP registers d0-d7.
  y	The Intel iWMMX co-processor registers.
  z	The Intel iWMMX GR registers.
  l	In Thumb state the core registers r0-r7.
  h	In Thumb state the core registers r8-r15.
  j	A constant suitable for a MOVW instruction. (ARM/Thumb-2)
  b	Thumb only. The union of the low registers and the stack register.
  I	In ARM/Thumb-2 state a constant that can be used as an immediate value in a Data Processing instruction. In Thumb-1 state a constant in the range 0 to 255.
  J	In ARM/Thumb-2 state a constant in the range -4095 to 4095. In Thumb-1 state a constant in the range -255 to -1.
  K	In ARM/Thumb-2 state a constant that satisfies the I constraint if inverted. In Thumb-1 state a constant that satisfies the I constraint multiplied by any power of 2.
  L	In ARM/Thumb-2 state a constant that satisfies the I constraint if negated. In Thumb-1 state a constant in the range -7 to 7.
  M	In Thumb-1 state a constant that is a multiple of 4 in the range 0 to 1020.
  N	Thumb-1 state a constant in the range 0 to 31.
  O	In Thumb-1 state a constant that is a multiple of 4 in the range -508 to 508.
  Pa	In Thumb-1 state a constant in the range -510 to +510
  Pb	In Thumb-1 state a constant in the range -262 to +262
  Ps	In Thumb-2 state a constant in the range -255 to +255
  Pt	In Thumb-2 state a constant in the range -7 to +7
  G	In ARM/Thumb-2 state a valid FPA immediate constant.
  H	In ARM/Thumb-2 state a valid FPA immediate constant when negated.
  Da	In ARM/Thumb-2 state a const_int, const_double or const_vector that can be generated with two Data Processing insns.
  Db	In ARM/Thumb-2 state a const_int, const_double or const_vector that can be generated with three Data Processing insns.
  Dc	In ARM/Thumb-2 state a const_int, const_double or const_vector that can be generated with four Data Processing insns. This pattern is disabled if optimizing for space or when we have load-delay slots to fill.
  Dn	In ARM/Thumb-2 state a const_vector which can be loaded with a Neon vmov immediate instruction.
  Dl	In ARM/Thumb-2 state a const_vector which can be used with a Neon vorr or vbic instruction.
  DL	In ARM/Thumb-2 state a const_vector which can be used with a Neon vorn or vand instruction.
  Dv	In ARM/Thumb-2 state a const_double which can be used with a VFP fconsts instruction.
  Dy	In ARM/Thumb-2 state a const_double which can be used with a VFP fconstd instruction.
  Ut	In ARM/Thumb-2 state an address valid for loading/storing opaque structure types wider than TImode.
  Uv	In ARM/Thumb-2 state a valid VFP load/store address.
  Uy	In ARM/Thumb-2 state a valid iWMMX load/store address.
  Un	In ARM/Thumb-2 state a valid address for Neon doubleword vector load/store instructions.
  Um	In ARM/Thumb-2 state a valid address for Neon element and structure load/store instructions.
  Us	In ARM/Thumb-2 state a valid address for non-offset loads/stores of quad-word values in four ARM registers.
  Uq	In ARM state an address valid in ldrsb instructions.
  Q	In ARM/Thumb-2 state an address that is a single base register.

  Operand codes

  Within the text of an inline asm block, operands are referenced as %0, %1 etc. Register operands are printed as rN, memory operands as [rN, #offset], and so forth. In some situations, for example with operands occupying multiple registers, more detailed control of the output may be required, and once again, an undocumented feature comes to our rescue.

  Special code letters inserted between the % and the operand number alter the output from the default for each type of operand. The table below lists the more useful ones.

  c	An integer or symbol address without a preceding # sign
  B	Bitwise inverse of integer or symbol without a preceding #
  L	The low 16 bits of an immediate constant
  m	The base register of a memory operand
  M	A register range suitable for LDM/STM
  H	The highest-numbered register of a pair
  Q	The least significant register of a pair
  R	The most significant register of a pair
  P	A double-precision VFP register
  p	The high single-precision register of a VFP double-precision register
  q	A NEON quad register
  e	The low doubleword register of a NEON quad register
  f	The high doubleword register of a NEON quad register
  h	A range of VFP/NEON registers suitable for VLD1/VST1
  A	A memory operand for a VLD1/VST1 instruction
  y	S register as indexed D register, e.g. s5 becomes d2[1]