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Rennes Emotion Map 2010-11
19 octobre 2011, par
Mis à jour : Juillet 2013
Langue : français
Type : Texte
Autres articles (95)
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Gestion de la ferme
2 mars 2010, parLa ferme est gérée dans son ensemble par des "super admins".
Certains réglages peuvent être fais afin de réguler les besoins des différents canaux.
Dans un premier temps il utilise le plugin "Gestion de mutualisation" -
Installation en mode ferme
4 février 2011, parLe mode ferme permet d’héberger plusieurs sites de type MediaSPIP en n’installant qu’une seule fois son noyau fonctionnel.
C’est la méthode que nous utilisons sur cette même plateforme.
L’utilisation en mode ferme nécessite de connaïtre un peu le mécanisme de SPIP contrairement à la version standalone qui ne nécessite pas réellement de connaissances spécifique puisque l’espace privé habituel de SPIP n’est plus utilisé.
Dans un premier temps, vous devez avoir installé les mêmes fichiers que l’installation (...) -
Publier sur MédiaSpip
13 juin 2013Puis-je poster des contenus à partir d’une tablette Ipad ?
Oui, si votre Médiaspip installé est à la version 0.2 ou supérieure. Contacter au besoin l’administrateur de votre MédiaSpip pour le savoir
Sur d’autres sites (6311)
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The New Samples Regime
1er décembre 2011, par Multimedia Mike — GeneralA little while ago, I got a big head over the fact that I owned and controlled the feared and revered MPlayer samples archive. This is the repository that retains more than a decade of multimedia samples.
Conflict
Where once there was one multimedia project (FFmpeg), there are now 2 (also Libav). There were various political and technical snafus regarding the previous infrastructure. I volunteered to take over hosting the vast samples archive (53 GB at the time) at samples.mplayerhq.hu (s.mphq for this post).However, a brand new server is online at samples.libav.org (s.libav for this post).
Policies
The server at s.libav will be the authoritative samples repository going forward. Why does s.libav receive the honor ? Mostly by virtue of having more advanced features. My simple (yet bandwidth-rich) web hosting plan does not provide for rsync or anonymous FTP services, both of which have traditionally been essential for the samples server. In the course of hosting s.mphq for the past few months, a few more discrepancies have come to light– apparently, the symlinks weren’t properly replicated. And perhaps most unusual is that if a directory contains aREADME
file, it won’t be displayed in the directory listing (which frustrated me greatly when I couldn’t find this README file that I carefully and lovingly crafted years ago).The s.mphq archive will continue to exist — nay, must exist — going forward since there are years’ worth of web links pointing into it. I’ll likely set up a mirroring script that periodically (daily) rsyncs from s.libav to my local machine and then uses lftp (the best facility I have available) to mirror the files up to s.mphq.
Also, since we’re starting fresh with a new upload directory, I think we need to be far more ruthless about policing its content. This means making sure that anything that is uploaded has an accompanying file which explains why it’s there and ideally links the sample to a bug report somewhere. No explanation = sample terminated.
RSS
I think it would be nifty to have an RSS feed that shows the latest samples to appear in the repository. I figure that I can use the Unix ‘find’ command on my local repository in concert with something like PyRSS2Gen to accomplish this goal.Monetization
In the few months that I have been managing the repository, I have had numerous requests for permission to leech the entire collection in one recursive web-suck. These requests often from commercial organizations who wish to test their multimedia product on a large corpus of diverse samples. Personally, I believe the archive makes a rather poor corpus for such an endeavor, but so be it. Go ahead ; hosting this archive barely makes a dent in my fairly low-end web hosting plan. However, at least one person indicated that it might be easier to mail a hard drive to me, have me copy it, and send it back.This got me thinking about monetization opportunities. Perhaps, I should provide a service to send HDs filled with samples for the cost of the HD, shipping, and a small donation to the multimedia projects. I immediately realized that that is precisely the point at which the vast multimedia samples archive — with all of its media of questionable fair use status — would officially run afoul of copyright laws.
Which brings me to…
Clean Up
I think we need to clean up some samples, starting with the ones that were marked not-readable in the old repository. Apparently, some ‘samples’ were, e.g., full anime videos and were responsible for a large bandwidth burden when linked from various sources.We multimedia nerds are a hoarding lot, never willing to throw anything away. This will probably the most challenging proposal to implement.
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x264 CLI crash while encoding [migrated]
28 août 2011, par Ithilioni'm having hard time with x264 CLI encoding.
I'm trying to encode a blu-ray source (8gb .m2ts file) into a mp4 video, but x264.exe keeps always crashing at approximately 20% progress.This is the Avisynth script i'm using :
Source="C:\Ithilion\Temp\Editing\Anime\input.m2ts"
V=FFVideoSource(Source,fpsnum=24000,fpsden=1001)
A=FFAudioSource(Source)
AudioDub(V,A)
GradFun2DBmod(str=1.2)
aWarpSharp2(depth=20)
LimitedSharpenFaster(strength=255)
TextSub("C:\Ithilion\Temp\Editing\Anime\subs1.ass")
TextSub("C:\Ithilion\Temp\Editing\Anime\subs2.ass")These are the commands i'm using for the encode :
x264 --profile high10 --level 5.1 --crf 23 --bframes 10 --b-adapt 2 --direct auto
--me umh --merange 24 --partitions all --rc-lookahead 60 --ref 16 --subme 10
--trellis 2 --deblock -2:-2 --psy-rd 0.6:0.0 --aq-strength 1 --acodec aac
--abitrate 256 --output "output.mp4" "input.avs"This is the error i get :
Name of the application that generated the error: x264.exe, Version: 0.0.0.0, time stamp: 0x4e427829
Module name that generated the error: KERNELBASE.dll, Version: 6.1.7601.17651, time stamp: 0x4e211319
Exception Code: 0xc00000fd
Fault offset 0x0000b9bc
Process ID that generated the error: 0xaac
Start time of the application that generated the error: 0x01cc64e7f962548a
Path to the application that generated the error: C:\Ithilion\Temp\Editing\x264\x264.exe
Path of the module that generated the error: C:\Windows\syswow64\KERNELBASE.dll
ID alert: a702ec4e-d0e7-11e0-b4d3-0023547ccfc5I'm running Win7 64 on a Q9400 @3200mHz with 4 GB RAM
Thanks in advance for your support
Best regards -
Announcing the first free software Blu-ray encoder
For many years it has been possible to make your own DVDs with free software tools. Over the course of the past decade, DVD creation evolved from the exclusive domain of the media publishing companies to something basically anyone could do on their home computer.
But Blu-ray has yet to get that treatment. Despite the “format war” between Blu-ray and HD DVD ending over two years ago, free software has lagged behind. “Professional” tools for Blu-ray video encoding can cost as much as $100,000 and are often utter garbage. Here are two actual screenshots from real Blu-rays : I wish I was making this up.
But today, things change. Today we take the first step towards a free software Blu-ray creation toolkit.
Thanks to tireless work by Kieran Kunyha, Alex Giladi, Lamont Alston, and the Doom9 crowd, x264 can now produce Blu-ray-compliant video. Extra special thanks to The Criterion Collection for sponsoring the final compliance test to confirm x264′s Blu-ray compliance.
With x264′s powerful compression, as demonstrated by the incredibly popular BD-Rebuilder Blu-ray backup software, it’s quite possible to author Blu-ray disks on DVD9s (dual-layer DVDs) or even DVD5s (single-layer DVDs) with a reasonable level of quality. With a free software encoder and less need for an expensive Blu-ray burner, we are one step closer to putting HD optical media creation in the hands of the everyday user.
To celebrate this achievement, we are making available for download a demo Blu-ray encoded with x264, containing entirely free content !
On this Blu-ray are the Open Movie Project films Big Buck Bunny and Elephant’s Dream, available under a Creative Commons license. Additionally, Microsoft has graciously provided about 6 minutes of lossless HD video and audio (from part of a documentary project) under a very liberal license. This footage rounds out the Blu-ray by adding some difficult live-action content in addition to the relatively compressible CGI footage from the Open Movie Project. Finally, we used this sound sample, available under a Creative Commons license.
You may notice that the Blu-ray image is only just over 2GB. This is intentional ; we have encoded all the content on the disk at appropriate bitrates to be playable from an ordinary 4.7GB DVD. This should make it far easier to burn a copy of the Blu-ray, since Blu-ray burners and writable media are still relatively rare. Most Blu-ray players will treat a DVD containing Blu-ray data as a normal Blu-ray disc. A few, such as the Playstation 3, will not, but you can still play it as a data disc.
Finally, note that (in accordance with the Blu-ray spec) the disc image file uses the UDF 2.5 filesystem, which may be incompatible with some older virtual drive and DVD burning applications. You’ll also need to play it on an actual Blu-ray player if you want to get the menus and such working correctly. If you’re looking to play it on a PC, a free trial of Arcsoft TMT is available here.
What are you waiting for ? Grab a copy today !
UPDATE : Here is an AVCHD-compliant version of the above, which should work better when burned on a DVD-5 instead of a BD-R. (mirror)
What’s left before we have a fully free software Blu-ray creation toolkit ? Audio is already dealt with ; AC3 audio (aka Dolby Digital), the format used in DVD, is still supported by Blu-ray, and there are many free software AC3 encoders. The primary missing application is a free software Blu-ray authoring tool, to combine the video and audio streams to create a Blu-ray file structure with the menus, chapters, and so forth that we have all come to expect. But the hardest part is dealt with : we can now create compatible video and audio streams.
In the meantime, x264 can be used to create streams to be authored using Blu-Print, Scenarist, Encore or other commercial authoring tools.
More detailed documentation on the new Blu-ray support and how to use it can be found in the official commit message. Do keep in mind that you have to export to raw H.264 (not MKV or MP4) or else the buffering information will be slightly incorrect. Finally, also note that the encoding settings given as an example are not a good choice for general-purpose encoding : they are intentionally crippled by Blu-ray restrictions, which will significantly reduce compression for ordinary non-Blu-ray encoding.
In addition to Blu-ray support, the aforementioned commit comes with a lot of fun extras :
x264 now has native variable-framerate ratecontrol, which makes sure your encodes get a correct target bitrate and proper limiting of maximum bitrate even if the duration of every frame is different and the “framerate” is completely unknown. This helps a lot when encoding from variable-framerate container formats such as FLV and WMV, along with variable-framerate content such as anime.
x264 now supports pulldown (telecine) in much the same fashion as it is handled in MPEG-2. The calling application can pass in flags representing how to display a frame, allowing easy transcoding from MPEG-2 sources with pulldown, such as broadcast television. The x264 commandline app contains some examples of these (such as the common 3:2 pulldown pattern).
x264 now also exports HRD timing information, which is critical for compliant transport stream muxing. There is currently an active project to write a fully DVB-compatible free software TS muxer that will be able to interface with x264 for a seamless free software broadcast system. It will likely also be possible to repurpose this muxer as part of a free software Blu-ray authoring package.
All of this is now available in the latest x264.