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• How to setup javacv, opencv for android

  27 août 2014, par Sohaib Ahmed

  I want to use FFmpegFrameRecorder for creating video from images. I have create sample project in netbeans sets the javacv and opencv it works.

  But how to set for android. I have follow this link
  http://javacv4android.blogspot.com/2014/02/how-to-import-javacv-libraries-to.html>

  But at the end it give error Installation error : INSTALL_FAILED_CONTAINER_ERROR
  I did all things that need to resolve INSTALL_FAILED_CONTAINER_ERROR but not fix.

  Please tell me the procedure to setup javacv and opencv for android ?

• ffmpeg rotate and resize

  23 août 2014, par user1321964

  I’m trying to resize a movie and to rotate it counter-clockwise using ffmpeg.
  I can achieve one or the other ok individually

  ffmpeg -i MVI_8189.MOV -vf "transpose=2" -ss 00:00:12 -t 00:00:05 rotate.MOV

  OR

  ffmpeg -i MVI_8189.MOV -s 720x406 -ss 00:00:12 -t 00:00:05 resize.MOV

  but if I try to do both, either-

  ffmpeg -i MVI_8189.MOV -s 720x406 -ss 00:00:12 -t 00:00:05 resize.MOV

  ffmpeg -i resize.MOV -vf "transpose=2" toutp.MOV

  OR

  ffmpeg -i MVI_8189.MOV -vf "transpose=2" -ss 00:00:12 -t 00:00:05 rotate.MOV

  ffmpeg -i rotate.MOV -s 406x720 toutp.MOV

  the final movie does not play, only audio, no video ; neither previewing in Finder, nor in Quicktime. More seriously once I have attempted to play it, I can’t then play any other movie whatsoever (only audio) - quicktime won’t quit, constantly need to force-quit it. The only way to then restore seems to be reboot OS-X

  This though does work -

  ffmpeg -i MVI_8189.MOV -vf "transpose=2" -ss 00:00:12 -t 00:00:05 rotate.MOV

  ffmpeg -i rotate.MOV -s 720x406 toutp.MOV

  but doesn’t do what I want - it stretches the movie in the wrong direction

  Any ideas ?

  ffmpeg version 1.0.git Copyright (c) 2000-2012 the FFmpeg developers
  built on Dec 24 2012 18:43:25 with llvm-gcc 4.2.1 (LLVM build 2336.1.00)

  MAC OSX 10.7.5

  ==========
  output from

  ffmpeg -i MVI_8189.MOV -vf "transpose=2" -ss 00:00:12 -t 00:00:05 rotate.MOV
  
  ffmpeg -i rotate.MOV -s 406x720  toutp.MOV
  
  
  
  
  
  
  
  ffmpeg version 1.0.git Copyright (c) 2000-2012 the FFmpeg developers
  
    built on Dec 24 2012 18:43:25 with llvm-gcc 4.2.1 (LLVM build 2336.1.00)
  
    configuration: --prefix=/usr/local --enable-shared --disable-mmx --enable-libmp3lame --enable-gpl --enable-zlib --enable-libvorbis --enable-libfaac --enable-nonfree --enable-libx264 --enable-pthreads
  
    libavutil      52. 12.100 / 52. 12.100
  
    libavcodec     54. 81.100 / 54. 81.100
  
    libavformat    54. 49.102 / 54. 49.102
  
    libavdevice    54.  3.102 / 54.  3.102
  
    libavfilter     3. 29.101 /  3. 29.101
  
    libswscale      2.  1.103 /  2.  1.103
  
    libswresample   0. 17.102 /  0. 17.102
  
    libpostproc    52.  2.100 / 52.  2.100
  
  Guessed Channel Layout for  Input Stream #0.1 : stereo
  
  Input #0, mov,mp4,m4a,3gp,3g2,mj2, from 'MVI_8189.MOV':
  
    Metadata:
  
      major_brand     : qt  
  
      minor_version   : 537331968
  
      compatible_brands: qt  CAEP
  
      creation_time   : 2014-08-17 23:13:43
  
    Duration: 00:01:32.40, start: 0.000000, bitrate: 44677 kb/s
  
      Stream #0:0(eng): Video: h264 (Constrained Baseline) (avc1 / 0x31637661), yuvj420p, 1920x1080, 43132 kb/s, 25 fps, 25 tbr, 25k tbn, 50k tbc
  
      Metadata:
  
        creation_time   : 2014-08-17 23:13:43
  
      Stream #0:1(eng): Audio: pcm_s16le (sowt / 0x74776F73), 48000 Hz, stereo, s16, 1536 kb/s
  
      Metadata:
  
        creation_time   : 2014-08-17 23:13:43
  
  [libx264 @ 0x7fc67c043600] using cpu capabilities: MMX2 SSE2Fast SSSE3 FastShuffle SSE4.2 AVX
  
  [libx264 @ 0x7fc67c043600] profile High, level 4.0
  
  [libx264 @ 0x7fc67c043600] 264 - core 128 - H.264/MPEG-4 AVC codec - Copyleft 2003-2012 - http://www.videolan.org/x264.html - options: cabac=1 ref=3 deblock=1:0:0 analyse=0x3:0x113 me=hex subme=7 psy=1 psy_rd=1.00:0.00 mixed_ref=1 me_range=16 chroma_me=1 trellis=1 8x8dct=1 cqm=0 deadzone=21,11 fast_pskip=1 chroma_qp_offset=-2 threads=6 lookahead_threads=1 sliced_threads=0 nr=0 decimate=1 interlaced=0 bluray_compat=0 constrained_intra=0 bframes=3 b_pyramid=2 b_adapt=1 b_bias=0 direct=1 weightb=1 open_gop=0 weightp=2 keyint=250 keyint_min=25 scenecut=40 intra_refresh=0 rc_lookahead=40 rc=crf mbtree=1 crf=23.0 qcomp=0.60 qpmin=0 qpmax=69 qpstep=4 ip_ratio=1.40 aq=1:1.00
  
  Output #0, mov, to 'rotate.MOV':
  
    Metadata:
  
      major_brand     : qt  
  
      minor_version   : 537331968
  
      compatible_brands: qt  CAEP
  
      encoder         : Lavf54.49.102
  
      Stream #0:0(eng): Video: h264 (avc1 / 0x31637661), yuvj420p, 1080x1920, q=-1--1, 12800 tbn, 25 tbc
  
      Metadata:
  
        creation_time   : 2014-08-17 23:13:43
  
      Stream #0:1(eng): Audio: aac (mp4a / 0x6134706D), 48000 Hz, stereo, s16, 128 kb/s
  
      Metadata:
  
        creation_time   : 2014-08-17 23:13:43
  
  Stream mapping:
  
    Stream #0:0 -> #0:0 (h264 -> libx264)
  
    Stream #0:1 -> #0:1 (pcm_s16le -> libfaac)
  
  Press [q] to stop, [?] for help
  
  frame=  125 fps=5.7 q=-2.0 Lsize=    6394kB time=00:00:05.00 bitrate=10470.5kbits/s    /s    
  
  video:6322kB audio:67kB subtitle:0 global headers:0kB muxing overhead 0.079207%
  
  [libx264 @ 0x7fc67c043600] frame I:1     Avg QP:25.87  size:113032
  
  [libx264 @ 0x7fc67c043600] frame P:65    Avg QP:25.78  size: 64251
  
  [libx264 @ 0x7fc67c043600] frame B:59    Avg QP:26.73  size: 37017
  
  [libx264 @ 0x7fc67c043600] consecutive B-frames:  5.6% 94.4%  0.0%  0.0%
  
  [libx264 @ 0x7fc67c043600] mb I  I16..4: 10.7% 79.9%  9.3%
  
  [libx264 @ 0x7fc67c043600] mb P  I16..4:  3.6% 12.0%  0.3%  P16..4: 52.0% 19.1% 11.3%  0.0%  0.0%    skip: 1.7%
  
  [libx264 @ 0x7fc67c043600] mb B  I16..4:  0.9%  1.7%  0.0%  B16..8: 45.4%  5.1%  0.8%  direct:24.2%  skip:21.9%  L0:50.1% L1:44.5% BI: 5.3%
  
  [libx264 @ 0x7fc67c043600] 8x8 transform intra:74.5% inter:79.5%
  
  [libx264 @ 0x7fc67c043600] coded y,uvDC,uvAC intra: 59.4% 94.3% 79.5% inter: 38.2% 80.5% 30.1%
  
  [libx264 @ 0x7fc67c043600] i16 v,h,dc,p: 30% 21% 22% 28%
  
  [libx264 @ 0x7fc67c043600] i8 v,h,dc,ddl,ddr,vr,hd,vl,hu: 18% 14% 24%  6%  8%  9%  7%  8%  7%
  
  [libx264 @ 0x7fc67c043600] i4 v,h,dc,ddl,ddr,vr,hd,vl,hu: 28% 18% 17%  6%  7%  8%  6%  6%  4%
  
  [libx264 @ 0x7fc67c043600] i8c dc,h,v,p: 60% 14% 18%  8%
  
  [libx264 @ 0x7fc67c043600] Weighted P-Frames: Y:0.0% UV:0.0%
  
  [libx264 @ 0x7fc67c043600] ref P L0: 43.9% 12.6% 26.8% 16.7%
  
  [libx264 @ 0x7fc67c043600] ref B L0: 68.6% 31.4%
  
  [libx264 @ 0x7fc67c043600] kb/s:10357.28
  
  ffmpeg version 1.0.git Copyright (c) 2000-2012 the FFmpeg developers
  
    built on Dec 24 2012 18:43:25 with llvm-gcc 4.2.1 (LLVM build 2336.1.00)
  
    configuration: --prefix=/usr/local --enable-shared --disable-mmx --enable-libmp3lame --enable-gpl --enable-zlib --enable-libvorbis --enable-libfaac --enable-nonfree --enable-libx264 --enable-pthreads
  
    libavutil      52. 12.100 / 52. 12.100
  
    libavcodec     54. 81.100 / 54. 81.100
  
    libavformat    54. 49.102 / 54. 49.102
  
    libavdevice    54.  3.102 / 54.  3.102
  
    libavfilter     3. 29.101 /  3. 29.101
  
    libswscale      2.  1.103 /  2.  1.103
  
    libswresample   0. 17.102 /  0. 17.102
  
    libpostproc    52.  2.100 / 52.  2.100
  
  Input #0, mov,mp4,m4a,3gp,3g2,mj2, from 'rotate.MOV':
  
    Metadata:
  
      major_brand     : qt  
  
      minor_version   : 512
  
      compatible_brands: qt  
  
      encoder         : Lavf54.49.102
  
    Duration: 00:00:05.01, start: 0.010667, bitrate: 10446 kb/s
  
      Stream #0:0(eng): Video: h264 (High) (avc1 / 0x31637661), yuvj420p, 1080x1920, 10358 kb/s, 25 fps, 25 tbr, 12800 tbn, 50 tbc
  
      Metadata:
  
        handler_name    : DataHandler
  
      Stream #0:1(eng): Audio: aac (mp4a / 0x6134706D), 48000 Hz, stereo, fltp, 109 kb/s
  
      Metadata:
  
        handler_name    : DataHandler
  
  [libx264 @ 0x7fcf1c05ba00] using cpu capabilities: MMX2 SSE2Fast SSSE3 FastShuffle SSE4.2 AVX
  
  [libx264 @ 0x7fcf1c05ba00] profile High, level 3.0
  
  [libx264 @ 0x7fcf1c05ba00] 264 - core 128 - H.264/MPEG-4 AVC codec - Copyleft 2003-2012 - http://www.videolan.org/x264.html - options: cabac=1 ref=3 deblock=1:0:0 analyse=0x3:0x113 me=hex subme=7 psy=1 psy_rd=1.00:0.00 mixed_ref=1 me_range=16 chroma_me=1 trellis=1 8x8dct=1 cqm=0 deadzone=21,11 fast_pskip=1 chroma_qp_offset=-2 threads=6 lookahead_threads=1 sliced_threads=0 nr=0 decimate=1 interlaced=0 bluray_compat=0 constrained_intra=0 bframes=3 b_pyramid=2 b_adapt=1 b_bias=0 direct=1 weightb=1 open_gop=0 weightp=2 keyint=250 keyint_min=25 scenecut=40 intra_refresh=0 rc_lookahead=40 rc=crf mbtree=1 crf=23.0 qcomp=0.60 qpmin=0 qpmax=69 qpstep=4 ip_ratio=1.40 aq=1:1.00
  
  Output #0, mov, to 'toutp.MOV':
  
    Metadata:
  
      major_brand     : qt  
  
      minor_version   : 512
  
      compatible_brands: qt  
  
      encoder         : Lavf54.49.102
  
      Stream #0:0(eng): Video: h264 (avc1 / 0x31637661), yuvj420p, 406x720, q=-1--1, 12800 tbn, 25 tbc
  
      Metadata:
  
        handler_name    : DataHandler
  
      Stream #0:1(eng): Audio: aac (mp4a / 0x6134706D), 48000 Hz, stereo, s16, 128 kb/s
  
      Metadata:
  
        handler_name    : DataHandler
  
  Stream mapping:
  
    Stream #0:0 -> #0:0 (h264 -> libx264)
  
    Stream #0:1 -> #0:1 (aac -> libfaac)
  
  Press [q] to stop, [?] for help
  
  frame=  125 fps= 32 q=-2.0 Lsize=     469kB time=00:00:05.01 bitrate= 766.2kbits/s    
  
  video:396kB audio:68kB subtitle:0 global headers:0kB muxing overhead 1.088481%
  
  [libx264 @ 0x7fcf1c05ba00] frame I:1     Avg QP:24.20  size: 31395
  
  [libx264 @ 0x7fcf1c05ba00] frame P:42    Avg QP:24.51  size:  7137
  
  [libx264 @ 0x7fcf1c05ba00] frame B:82    Avg QP:27.71  size:   893
  
  [libx264 @ 0x7fcf1c05ba00] consecutive B-frames:  0.8% 16.0% 57.6% 25.6%
  
  [libx264 @ 0x7fcf1c05ba00] mb I  I16..4:  7.0% 62.2% 30.8%
  
  [libx264 @ 0x7fcf1c05ba00] mb P  I16..4:  0.2%  0.8%  0.1%  P16..4: 52.8% 18.7% 12.5%  0.0%  0.0%    skip:14.9%
  
  [libx264 @ 0x7fcf1c05ba00] mb B  I16..4:  0.0%  0.0%  0.0%  B16..8: 30.0%  0.8%  0.1%  direct: 0.9%  skip:68.2%  L0:36.0% L1:62.1% BI: 2.0%
  
  [libx264 @ 0x7fcf1c05ba00] 8x8 transform intra:66.4% inter:78.3%
  
  [libx264 @ 0x7fcf1c05ba00] coded y,uvDC,uvAC intra: 79.3% 93.6% 84.9% inter: 13.6% 32.2% 10.4%
  
  [libx264 @ 0x7fcf1c05ba00] i16 v,h,dc,p: 50% 19%  7% 24%
  
  [libx264 @ 0x7fcf1c05ba00] i8 v,h,dc,ddl,ddr,vr,hd,vl,hu: 20% 20% 11%  5%  8% 10%  9%  7%  8%
  
  [libx264 @ 0x7fcf1c05ba00] i4 v,h,dc,ddl,ddr,vr,hd,vl,hu: 27% 22%  8%  5%  8%  8% 10%  5%  5%
  
  [libx264 @ 0x7fcf1c05ba00] i8c dc,h,v,p: 42% 22% 24% 13%
  
  [libx264 @ 0x7fcf1c05ba00] Weighted P-Frames: Y:0.0% UV:0.0%
  
  [libx264 @ 0x7fcf1c05ba00] ref P L0: 48.7% 16.3% 25.6%  9.4%
  
  [libx264 @ 0x7fcf1c05ba00] ref B L0: 73.7% 21.3%  5.0%
  
  [libx264 @ 0x7fcf1c05ba00] ref B L1: 90.7%  9.3%
  
  [libx264 @ 0x7fcf1c05ba00] kb/s:647.04

• Vedanti and Max Sound vs. Google

  14 août 2014, par Multimedia Mike — Legal/Ethical

  Vedanti Systems Limited (VSL) and Max Sound Coporation filed a lawsuit against Google recently. Ordinarily, I wouldn’t care about corporate legal battles. However, this one interests me because it’s multimedia-related. I’m curious to know how coding technology patents might hold up in a real court case.

  Here’s the most entertaining complaint in the lawsuit :

  Despite Google’s well-publicized Code of Conduct — “Don’t be Evil” — which it explains is “about doing the right thing,” “following the law,” and “acting honorably,” Google, in fact, has an established pattern of conduct which is the exact opposite of its claimed piety.

  I wonder if this is the first known case in which Google has been sued over its long-obsoleted “Don’t be evil” mantra ?

  Researching The Plaintiffs
  
  I think I made a mistake by assuming this lawsuit might have merit. My first order of business was to see what the plaintiff organizations have produced. I have a strong feeling that these might be run of the mill patent trolls.

  VSL currently has a blank web page. Further, the Wayback Machine only has pages reaching back to 2011. The earliest page lists these claims against a plain black background (I’ve highlighted some of the more boisterous claims and the passages that make it appear that Vedanti doesn’t actually produce anything but is strictly an IP organization) :

  The inventions key :
  The patent and software reduced any data content, without compressing, up to a 97% total reduction of the data which also produces a lossless result. This physics based invention is often called the Holy Grail.

  Vedanti Systems Intellectual Property
  Our strategic IP portfolio is granted in all of the world’s largest technology development and use countries. A major value indemnification of our licensee products is the early date of invention filing and subsequent Issue. Vedanti IP has an intrinsic 20 year patent protection and valuation in royalties and licensing. The original data transmission art has no prior art against it.

  Vedanti Systems invented among other firsts, The Slice and Partitioning of Macroblocks within a RGB Tri level region in a frame to select or not, the pixel.

  Vedanti Systems invention is used in nearly every wireless chipset and handset in the world

  Our original pixel selection system revolutionized wireless handset communications. An example of this system “Slice” and “Macroblock Partitioning” is used throughout Satellite channel expansion, Wireless partitioning, Telecom – Video Conferencing, Surveillance Cameras, and 2010 developing Media applications.

  Vedanti Systems is a Semiconductor based software, applications, and IP Continuations Intellectual Property company.

  Let’s move onto the other plaintiff, Max Sound. They have a significantly more substantive website. They also have an Android app named Spins HD Audio, which appears to be little more than a music player based on the screenshots.

  Max Sound also has a stock ticker symbol : MAXD. Something clicked into place when I looked up their ticker symbol : While worth only a few pennies, it was worth a few more pennies after this lawsuit was announced, which might be one of the motivations behind the lawsuit.

  Here’s a trick I learned when I was looking for a new tech job last year : When I first look at a company’s website and am trying to figure out what they really do, I head straight to their jobs/careers page. A lot of corporate websites have way too much blathering corporatese that can be tough to cut through. But when I see what mix of talent and specific skills they are hoping to hire, that gives me a much better portrait of what the company does.

  The reason I bring this up is because this tech company doesn’t seem to have jobs/careers page.

  The Lawsuit
  The core complaint centers around Patent 7974339 : Optimized data transmission system and method. It was filed in July 2004 (or possibly as early as January 2002), issued in July 2011, and assigned (purchased ?) by Vedanti in May 2012. The lawsuit alleges that nearly everything Google has ever produced (or, more accurately, purchased) leverages the patented technology.

  The patent itself has 5 drawings. If you’ve ever seen a multimedia codec patent, or any whitepaper on a multimedia codec, you’ve seen these graphs before. E.g., “Raw pixels come in here -> some analysis happens here -> more analysis happens over here -> entropy coding -> final bitstream”. The text of a patent document isn’t meant to be particularly useful. I’ve tried to understand this stuff before and it never goes well. Skimming the text, I just see a blur of the words data, transmission, pixel, and matrix.

  So I read the complaint to try to figure out what this is all about. To summarize the storyline as narrated by the lawsuit, some inventors were unhappy with the state of video compression in 2001 and endeavored to create something better. So they did, and called it the VSL codec. This codec is so far undocumented on the MultimediaWiki, so it probably has yet to be seen “in the wild”. Good luck finding hard technical data on it now since searches for “VSL codec” are overwhelmed by articles about this lawsuit. Also, the original codec probably wasn’t called VSL because VSL is apparently an IP organization formed much later.

  Then, the protagonists of the lawsuit patented the codec. Then, years later, Google wanted to purchase a video codec that they could open source and use to supplant H.264.

  The complaint goes on to allege that in 2010, Google specifically contacted VSL to possibly license or acquire this mysterious VSL technology. Google was allegedly allowed to study the technology, eventually decided not to continue discussions, and shipped back the proprietary materials.

  Here’s where things get weird. When Google shipped back the materials, they allegedly shipped back a bunch of Post-It notes. The notes are alleged to contain a ton of incriminating evidence. The lawsuit claims that the notes contained such tidbits as :

  • Google was concerned that its infringement could be considered “recklessness” (the standard applicable to willful infringement) ;
  • Google personnel should “try” to destroy incriminating emails ;
  • Google should consider a “design around” because it was facing a “risk of litigation.”

  Actually, given Google’s acquisition of On2, I can totally believe that last one (On2’s codecs have famously contained a lot of weirdness which is commonly suspected to be attributable to designing around known patents).

  Anyway, a lot of this case seems to hinge on the authenticity of these Post-It notes :

  “65. The Post-It notes are unequivocal evidence of Google’s knowledge of the ’339 Patent and infringement by Defendants”

  I wish I could find a stock photo of a stack of Post-It notes in an evidence bag.

  I’ve worked at big technology companies. Big tech companies these days are very diligent about indoctrinating employees about IP liability issues. The reason this Post-It situation strikes me as odd is because the alleged contents of the notes basically outline everything the corporate lawyers tell you NOT to do.

  Analysis
  I’m trying to determine what specific algorithms and coding techniques. I guess I was expecting to see a specific claim that, “Our patent outlines this specific coding technique and here is unequivocal proof that Google A) uses the same technique, and B) specifically did so after looking at our patent.” I didn’t find that (well, a bit of part B, c.f., the Post-It note debacle), but maybe that’s not how these patent lawsuits operate. I’ve never kept up before.

  Maybe it’s just a patent troll. Maybe it’s for the stock bump. I’m expecting to see pump-n-dump stock spam featuring the stock symbol MAXD anytime now.

  I’ve never been interested in following a lawsuit case carefully before. I suddenly find myself wondering if I can subscribe to the RSS feed for this case ? Too much to hope for. But I found this item through Pando and maybe they’ll stay on top of it.