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Autres articles (38)
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Encoding and processing into web-friendly formats
13 avril 2011, parMediaSPIP automatically converts uploaded files to internet-compatible formats.
Video files are encoded in MP4, Ogv and WebM (supported by HTML5) and MP4 (supported by Flash).
Audio files are encoded in MP3 and Ogg (supported by HTML5) and MP3 (supported by Flash).
Where possible, text is analyzed in order to retrieve the data needed for search engine detection, and then exported as a series of image files.
All uploaded files are stored online in their original format, so you can (...) -
Menus personnalisés
14 novembre 2010, parMediaSPIP utilise le plugin Menus pour gérer plusieurs menus configurables pour la navigation.
Cela permet de laisser aux administrateurs de canaux la possibilité de configurer finement ces menus.
Menus créés à l’initialisation du site
Par défaut trois menus sont créés automatiquement à l’initialisation du site : Le menu principal ; Identifiant : barrenav ; Ce menu s’insère en général en haut de la page après le bloc d’entête, son identifiant le rend compatible avec les squelettes basés sur Zpip ; (...) -
Emballe médias : à quoi cela sert ?
4 février 2011, parCe plugin vise à gérer des sites de mise en ligne de documents de tous types.
Il crée des "médias", à savoir : un "média" est un article au sens SPIP créé automatiquement lors du téléversement d’un document qu’il soit audio, vidéo, image ou textuel ; un seul document ne peut être lié à un article dit "média" ;
Sur d’autres sites (5785)
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Is there a way to use ffmpeg audio filters to automatically synchronize 2 streams with similar content
29 mai 2015, par user3741412I have a situation where I have a video capture of HD content via HDMI with audio from a sound board that goes through a impedance drop into a microphone input of a camcorder. That same signal is split at line level to a ’line in’ jack on the same computer that is capturing the HDMI. Alternatively I can capture the audio via USB from the soundboard which is probably the best plan, but carries with it the same issue.
The point is that the line in or usb capture will be much higher quality than the one on HDMI because the line out -> impedance change -> mic in path generates inferior quality in that simply brushing the mic jack on the camera while trying to change the zoom (close proximity) can cause noise on the recording.
So I can do this today :
- Take the good sound and the camera captured sound and load each into
audacity and pretty quickly use the timeshift toot to perfectly fit
the good audio to the questionable audio from the HDMI capture and
cut the good audio to the exact size of the video. Then I can use
ffmpeg or other video editing software to replace the questionable
audio with the better audio.
But while somewhat quick and easy, it always carries with it a bit of human error and time. I’d like to automate this if possible as this process is repeated at least weekly throughout the year.
Does anyone have a suggestion if any of these ideas have merit or could suggest another approach ?
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I suspect but have yet to confirm that the system timestamp of the start time may be recorded in both audio captured with something like Audacity, or the USB capture tool from the sound board as well as the HDMI mpeg-2 video. I tried ffprobe on a couple audacity captured .wav files but didn’t see anything in the results about such a time code, but perhaps other audio formats or other probing tools may include this info. Can anyone advise if this is common with any particular capture tools or file formats ?
- if so, I think I could get best results by extracting this information and then using simple adelay and atrim filters in ffmpeg to sync reliably directly from the two sources in one ffmpeg call. This is all theoretical for me right now— I’ve never tried either of these filters yet— just trying to optimize against blind alleys by asking for advice up front.
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If such timestamps are not embedded, possibly I can use the file system timestamp for the same idea expressed in 1a, but I suspect the file open of the two capture tools may have different inherant delays. Possibly these delays will be found to be nearly constant and the approach can work with a built-in constant anticipation delay but sounds messy and less reliable than idea 1. Still, I’d take it, if it turns out reasonably reliable
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Are there any ffmpeg or general digital audio experts out there that know of particular filters that can be employed on the actual data to look for similarities like normalizing the peak amplitudes or normalizing the amplification of the two to some RMS value and then stepping through a short 10 second snippet of audio, moving one time stream .01s left against the other repeatedly and subtracting the two and looking for a minimum ? Sounds like it could take a while, but if it could do this in less than a minute and be reliable, I suspect it could work. But I have only rudimentary knowledge of audio streams and perhaps what I suggest is just not plausible— but since each stream starts with the same source I think there should be a chance. I am just way out of my depth as to how to go down this road, so if someone out there knows such magic or can throw me some names of filters and example calls, I can explore if I can make it work.
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any hardware level suggestions to take a line level output down to a mic level input and not have the problems I am seeing using a simple in-line impedance drop module, so that I can simply rely on the audio from the HDMI ?
Thanks in advance for any pointers or suggestinons !
- Take the good sound and the camera captured sound and load each into
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avformat/mpegtsenc : Add sdt_period, similar to pat_period
18 juillet 2015, par Michael Niedermayer -
Play MPEG-TS video in browser and broacast similar to UDP
23 novembre 2022, par emilHow can I play MPEG-TS video and broadcast it over the network ?


I tried using JSMPEG butt it shows blurry video. I am planning to use ffmpeg if possible.