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  • À propos des documents

    21 juin 2013, par

    Que faire quand un document ne passe pas en traitement, dont le rendu ne correspond pas aux attentes ?
    Document bloqué en file d’attente ?
    Voici une liste d’actions ordonnée et empirique possible pour tenter de débloquer la situation : Relancer le traitement du document qui ne passe pas Retenter l’insertion du document sur le site MédiaSPIP Dans le cas d’un média de type video ou audio, retravailler le média produit à l’aide d’un éditeur ou un transcodeur. Convertir le document dans un format (...)

  • Modifier la date de publication

    21 juin 2013, par

    Comment changer la date de publication d’un média ?
    Il faut au préalable rajouter un champ "Date de publication" dans le masque de formulaire adéquat :
    Administrer > Configuration des masques de formulaires > Sélectionner "Un média"
    Dans la rubrique "Champs à ajouter, cocher "Date de publication "
    Cliquer en bas de la page sur Enregistrer

  • MediaSPIP v0.2

    21 juin 2013, par

    MediaSPIP 0.2 est la première version de MediaSPIP stable.
    Sa date de sortie officielle est le 21 juin 2013 et est annoncée ici.
    Le fichier zip ici présent contient uniquement les sources de MediaSPIP en version standalone.
    Comme pour la version précédente, il est nécessaire d’installer manuellement l’ensemble des dépendances logicielles sur le serveur.
    Si vous souhaitez utiliser cette archive pour une installation en mode ferme, il vous faudra également procéder à d’autres modifications (...)

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  • Further SMC Encoding Work

    25 août 2011, par Multimedia Mike — General

    Sometimes, when I don’t feel like doing anything else, I look at that Apple SMC video encoder again.

    8-bit Encoding
    When I last worked on the encoder, I couldn’t get the 8-color mode working correctly, even though the similar 2- and 4-color modes were working fine. I chalked the problem up to the extreme weirdness in the packing method unique to the 8-color mode. Remarkably, I had that logic correct the first time around. The real problem turned out to be with the 8-color cache and it was due to the vagaries of 64-bit math in C. Bit shifting an unsigned 8-bit quantity implicitly results in a signed 32-bit quantity, or so I discovered.

    Anyway, the 8-color encoding works correctly, thus shaving a few more bytes off the encoding size.

    Encoding Scheme Oddities
    The next step is to encode runs of data. This is where I noticed some algorithmic oddities in the scheme that I never really noticed before. There are 1-, 2-, 4-, 8-, and 16-color modes. Each mode allows encoding from 1-256 blocks of that same encoding. For example, the byte sequence :

      0x62 0x45
    

    Specifies that the next 3 4×4 blocks are encoded with single-color mode (of byte 0×62, high nibble is encoding mode and low nibble is count-1 blocks) and the palette color to be used is 0×45. Further, opcode 0×70 is the same except the following byte allows for specifying more than 16 (i.e., up to 256) blocks shall be encoded in the same matter. In light of this repeat functionality being built into the rendering opcodes, I’m puzzled by the existence of the repeat block opcodes. There are opcodes to repeat the prior block up to 256 times, and there are opcodes to repeat the prior pair of blocks up to 256 times.

    So my quandary is : What would the repeat opcodes be used for ? I hacked the FFmpeg / Libav SMC decoder to output a histogram of which opcodes are used. The repeat pair opcodes are never seen. However, the single-repeat opcodes are used a few times.

    Puzzle Solved ?
    I’m glad I wrote this post. Just as I was about to hit “Publish”, I think I figured it out. I haven’t mentioned the skip opcodes yet– there are opcodes that specify that 1-256 4×4 blocks are unchanged from the previous frame. Conceivably, a block could be unchanged from the previous frame and then repeated 1-256 times from there.

    That’s something I hadn’t thought of up to this point for my proposed algorithm and will require a little more work.

    Further reading

  • Making libmp3lame work with ffmpeg on OS X

    26 janvier 2015, par eco_bach

    I tried this solution
    https://jeppenejsum.wordpress.com/2009/10/27/making-libmp3lame-work-with-ffmpeg-on-os-x/#comments

    but its not working for me. I get no audio when I do my sample ffmpeg conversions in the OSX terminal. ie

    ffmpeg -i MASTER.mp4 -c:v libx264 -preset ultrafast -profile:v high -crf 20 -c:a libmp3lame -q:a 4 output_CRF_20_ultrafast.mp4

    Can any FFMPEG experts suggest what I am doing wrong ? How do I get libmp3lame to work with ffmpeg in OSX Yosemite ?

  • Overlay a 16/9 video to a 9/16 ratio and shrink the original video [closed]

    6 avril 2024, par thanhbo

    I assume the video has an aspect ratio of 16/9 (size 1920:1080). I want to convert it to 9/16 ratio and shrink the original video. The formula I wrote is as follows but there is an error. I hope someone can help, thank you.

    


    ffmpeg -y -i A1.mp4 -filter_complex "split[crp0][crp1];[crp0]scale=iw:2*trunc(iw*16/18),boxblur=luma_radius=min(h\,w)/20:luma_power=1:chroma_radius=min(cw\,ch)/20:chroma_power=11,setsar=1[bg],[1:v]scale=(iw-100):-1[bg2];[bg][bg2]overlay=(W-w)/2:(H-h)/2[bg3]" -map "[bg3]" bg3.mp4

ffmpeg -y -i A1.mp4 -filter_complex "split[crp0][crp1];[crp0]scale=iw:2*trunc(iw*16/18),boxblur=luma_radius=min(h\,w)/20:luma_power=1:chroma_radius=min(cw\,ch)/20:chroma_power=11,setsar=1[bg],[1:v]scale=(iw-100):-1[bg2];[bg][bg2]overlay=(W-w)/2:(H-h)/2[bg3]" -map "[bg3]" bg3.mp4